Feedback Policy

I don’t take feedback, unless I ask for it specifically. I often ask for it. If you’ve got something to say about my work, hold that thought until I post again looking for feedback. Simple comments are always welcome, as long as we are not talking about my process or what I decide to publish.

That said, please leave comments and/or feedback in the comments. No feedback is acknowledged over social media.

Point:

I publish what I want to publish. I don’t go with fads or popularity contests. I don’t expect things I publish to be seen or read. I publish them because I like them, and I think it’s worth public exposure. I don’t want to hear what you think I should publish.

I will, quite often, ask for feedback. In such situations, I generally specify exactly what I’m looking for opinions on. Some things are simply complete. If something is complete, no amount of pretentious commentary will make me go back and edit it. If you find an actual issue with something like my grammar, I will thank you for bringing my attention to it, and I will fix it.

This post is very concise; to the point, as it were. That’s because it’s a simple issue that shouldn’t be hard to grasp.

I’m asking one thing from my readers, friends, and fans. That was it.

Thank you,

Jack Lhasa

(This post will appear, with slight alterations for readability, on a static page with information on copyrights, FAQ, and the like.)

New POAPS & Animation

I am currently looking for people who would like to help me fine tune elements of my new art and fiction setting, Moonshadow. These would be one-on-one talks. I might ask for opinions, proofreading, thoughts on certain aspects of the art and the world.

Qualified applicants should have an eye for art, be able to follow basic instructions, have an interest in the fantasy genre, and be available for discussion 1-2 times per week, depending on length of discussion and scheduling.

In other news, I’ve posted my first animation on Rodeo for minting. The series of art and story, Only Shadow has come to an end. I am in the process of arranging all of the art and fiction into a book format. The book will include many animations never before seen. I’ll be posting some of these animation for mint.

The first animation can be collected here:

https://rodeo.club/post/0xf3D6fA558e52ff73DCDb8FC54c49433e53b46417/11

Those interested in joining my focus group can contact me directly, or fill out the form below.

Thanks!

Jack Lhasa

Lens @exoteric

Farcaster: @jacklhasa

New Home for NFTs

I’ve just discovered an NFT marketplace that blows all of the others I’ve used completely out of the water.

If you look at the NFTs I have created, and you see something with multiple copies, that means they are available. If you’d like any of these, let me know. I promise that they will all be reasonably priced.

Surreal

Handles my thousands of NFTs without a single issue. Makes creating new NFTs so simple, anyone can do it!

An Oddity (Surreal NFT)

An AI rendition of my friend Akela.

An Oddity

Akela the Business Pup

Worldbuilding 01

Worldbuilding is among my favorite activities as a writer. I really enjoy the art of cobbling together a believable setting.

A ConWorld is the result of worldbuilding. This term is a bit dated. Its use is rather rare now. ‘ConWorld’ is short for Constructed World.

Personally, most of my worldbuilding begins with a short piece of fiction. I get the idea in my head, I write it out, and if it’s something I find really compelling, or something I can see myself continuing beyond the one story, that’s when I start to set up my new ConWorld.

Important Elements in Worldbuilding:

  • Geography
  • Cities
  • Countries
  • Cultures
  • Societies
  • Governments
  • Factions
  • Historical events
  • Timelines
  • Systems (Magic, technology, government, commerce, etc)
  • Religions and Belief Systems
  • Prominent Figures (influential characters)

That’s just to name a few of the elements involved. I’ll be posting thoughts and tips for writers who are interested in creating their own ConWorlds on a fairly regular basis.

This is an area of English composition in which I have considerable experience and knowledge.

  • Jack Lhasa

All contents are copyright Jack Lhasa, 1996-2025, unless otherwise noted. All rights reserved.

First published in digital format in 2025.

Part of the Exoteric Project, copyright 2022-2025

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